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	<title>The Fifth Estate &#187; Pleasance</title>
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		<title>25 Years of Pleasance . . .</title>
		<link>http://www.thefifthestate.co.uk/2009/09/02/25-years-of-pleasance/</link>
		<comments>http://www.thefifthestate.co.uk/2009/09/02/25-years-of-pleasance/#comments</comments>
		<pubDate>Wed, 02 Sep 2009 15:31:35 +0000</pubDate>
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		<category><![CDATA[backstage]]></category>
		<category><![CDATA[edinburgh festival]]></category>
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		<category><![CDATA[Fifth Estate]]></category>
		<category><![CDATA[Guilded Balloon]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[lighting and sound magazine]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[Pleasance]]></category>
		<category><![CDATA[sarah rushton-read]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[Zero 88]]></category>

		<guid isPermaLink="false">http://www.thefifthestate.co.uk/?p=490</guid>
		<description><![CDATA[Pleasance Edinburgh opened as part of the 1985 Festival Fringe with just two theatres, which faced onto a deserted courtyard-come-car-park, at the then unfashionable, eastern end of Edinburgh&#8217;s old town! Twenty-five seasons later  and the story is very different. The Pleasance has become one of the biggest and most highly respected venues at the Edinburgh [...]]]></description>
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		<title>Pie and Pint with Stage Electrics</title>
		<link>http://www.thefifthestate.co.uk/2009/08/21/pie-and-pint-with-stage-electrics/</link>
		<comments>http://www.thefifthestate.co.uk/2009/08/21/pie-and-pint-with-stage-electrics/#comments</comments>
		<pubDate>Fri, 21 Aug 2009 12:36:41 +0000</pubDate>
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		<category><![CDATA[fuel Theatre]]></category>
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		<category><![CDATA[Orb]]></category>
		<category><![CDATA[Pleasance]]></category>
		<category><![CDATA[Stage Electrics]]></category>
		<category><![CDATA[Underbelly]]></category>
		<category><![CDATA[Universal Arts]]></category>
		<category><![CDATA[Zero 88]]></category>

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		<description><![CDATA[It&#8217;s amazing how Edinburgh Festival has changed. In my day you had to beg, steal and invent to get a show with no budget up to the festival and operating in a venue. Today it seems, if you are lucky, you can get manufacturers to loan their latest console or piece of kit, train you [...]]]></description>
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